Doc Funk - I Got The Power & Rave Rap (Vinyl)

8 thoughts on “ Doc Funk - I Got The Power & Rave Rap (Vinyl)

  1. As far as I understand, the Tracks feature is just down for improvment, and it will be back someday. I have been a huge ejsulvicattrandrakelimihetemlei.coinfo user before the site got its new, mobile-friendly redesign and actually got scrapped. Then Discogs released the Tracks feature and it actually filled the void that the new Last FM has made.
  2. 1 day ago · The selections are on-point throughout from the dub-wise rave rush of Babylon Timewarp's "Durban Poison" and the bleep-and-breaks-meets-proto-jungle shuffle of DJ Dubplate's "Tings A Go On", to the rave-rap goodness of The Freaky's "Time & Age" and the heavily edited darkcore/early jungle insanity that is Krome & Time's terrific "Ganja Man".
  3. Shop 85 records for sale for album You got the power by War on CDandLP in Vinyl and CD format.
  4. May 08,  · Song The Power; Artist SNAP! Album The Power; Writers Bernard Butler, Brett Anderson; Licensed to YouTube by WMG, The Orchard Music (on behalf of BMG Rights Management GmbH); LatinAutor - UMPG.
  5. Jul 07,  · The notion that Power Jam was another moniker for Münzing and Anzilotti is discredited by the remarks that can be found on the Wild Pitch vinyl and cassette releases: “A Wild Pitch reconstruction of a Logic reconstruction of a Wild Pitch production by DJ Mark, The 45 King.” and “a Wild Pitch reconstruction mixed by Nephie Centeno /5(91).
  6. "Got to Give It Up" is a song by American music artist Marvin Gaye. Written by the singer and produced by Art Stewart as a response to a request from Gaye's record label that he perform disco music, it was released in March Upon its release, it topped three different Billboard charts and became a worldwide success. Gaye sometimes used the song to open up his live .
  7. House is a genre of electronic dance music characterized by a repetitive four on the floor beat and a tempo of to beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines.. The genre was .

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